THE STORY, IN BRIEF
Writing for ArtThrob in March 2020, Candice Williams examined Kaloki Nyamai’s installation Mwambelelio Mweo at the Stellenbosch Triennale. Her student review connected its dung-lined enclosure, sisal ropes and suspended money boxes to competing experiences of comfort, power and identity. Williams placed her own response within the exhibition’s pan-African ambitions and Stellenbosch’s history, treating discomfort as an invitation to reconsider belonging rather than a universal response.
Summarised from ArtThrob · Candice Williams. AFROSCOPE Daily has not independently reported this story.
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Your Discomfort is my Comfort: The Stellenbosch Triennale
Candice Williams · 20 Mar 2020 · Independent publisher
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