THE STORY, IN BRIEF
Trevor Coleman’s 2014 survey at SMAC Gallery in Stellenbosch revisited paintings made between 1960 and 1977. Lloyd Pollak’s ArtThrob review emphasised their shifting colour relationships, geometric structures and optical effects, describing connections between hard-edge abstraction, Op Art and African decorative forms. Alongside its praise, the review noted that ageing and damage had affected some painted surfaces.
Summarised from ArtThrob · Lloyd Pollak. AFROSCOPE Daily has not independently reported this story.
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Mutinous cubes and delinquent rectangles. A look at Trevor Coleman’s abstract work from 1960-1977
Lloyd Pollak · 10 Aug 2014 · Independent publisher
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