THE STORY, IN BRIEF

In an ArtReview interview ahead of the 2022 Venice Biennale, curator Nana Oforiatta Ayim discusses Ghana’s pavilion with Na Chainkua Reindorf, Afroscope and Diego Araúja. She describes the artists as creators of distinct imagined worlds and sees Venice as a setting for exchanging locally rooted narratives. Her account links the new presentation to the interest generated by Ghana’s first pavilion in 2019, while resisting the idea of a single national artistic tradition.

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