THE STORY, IN BRIEF
In an ArtReview interview ahead of the 2022 Venice Biennale, curator Nana Oforiatta Ayim discusses Ghana’s pavilion with Na Chainkua Reindorf, Afroscope and Diego Araúja. She describes the artists as creators of distinct imagined worlds and sees Venice as a setting for exchanging locally rooted narratives. Her account links the new presentation to the interest generated by Ghana’s first pavilion in 2019, while resisting the idea of a single national artistic tradition.
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‘Future Builders’: Nana Oforiatta Ayim on Curating the Ghana Pavilion at the 59th Venice Biennale
ArtReview · 15 Apr 2022 · Independent publisher
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