THE STORY, IN BRIEF

Kiluanji Kia Henda’s 2014 exhibition at Brundyn+ in Cape Town used photography and video to unsettle familiar narratives of Africa. A fictional African aid organisation reversed the usual geography of humanitarian assistance, while images of monuments and military remnants examined Angola’s changing identities. ArtThrob’s reviewer singled out Concrete Affection – Zopo Lady for connecting urban space, memory and belonging in Luanda.

Summarised from ArtThrob · Matthew Blackman. AFROSCOPE Daily has not independently reported this story.

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ArtThrob

As god wants and the devil likes it

Matthew Blackman · 10 Aug 2014 · Independent publisher

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