THE STORY, IN BRIEF

Azu Nwagbogu examines Ibrahim Mahama’s institution-building in Ghana, focusing on spaces for experimentation, learning and public participation. The ArtReview feature considers the Savannah Centre for Contemporary Art and Red Clay in Tamale, relating the artist’s infrastructure projects to wider debates about what museums can do.

Summarised from ArtReview · Azu Nwagbogu. AFROSCOPE Daily has not independently reported this story.

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ArtReview

Ibrahim Mahama Builds Museums of the Future

Azu Nwagbogu · 18 May 2022 · Independent publisher

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