Dak’Art 2002 tests new identities and the boundaries of African art

THE STORY, IN BRIEF

Maureen Murphy examines the debates over identity and artistic freedom at Dak’Art 2002. Her account follows curatorial arguments and works by artists including Moataz Nasr, Ndary Lo and Safaa Erruas, while considering the biennial’s exchanges across Dakar and the continuing need for cultural infrastructure beyond the festival.

Summarised from Africultures · Maureen Murphy | Reportage/festivals. AFROSCOPE Daily has not independently reported this story.