THE STORY, IN BRIEF
Writing in ArtReview, Mark Rappolt assesses the sound-led Busan Biennale, Dissident Chorus. His review gives sustained attention to Drexciya and Abu Qadim Haqq’s visual universe and Julien Creuzet’s Caribbean-inflected installation, connecting them through water, memory and Black Atlantic histories. Rappolt questions whether curated rebellion can escape didactic display, while identifying moments of play and sensory intensity. The exhibition spans three Busan venues and closes on 1 November 2026.
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