THE STORY, IN BRIEF
Reporting from Dak’Art in 2014, Basia Lewandowska Cummings followed the OFF programme through hospitals, restaurants, studios and other spaces beyond conventional galleries. Her C& review describes encounters with Issa Samb’s studio and digital-art activity at Kër Thiossane. It presents the sprawling fringe as a way of connecting artistic work with Dakar’s everyday life, while questioning who gains visibility through the biennial system.
Summarised from Contemporary And (C&) · Basia Lewandowska Cummings. AFROSCOPE Daily has not independently reported this story.
Read the original at Contemporary And (C&)Sources & supporting coverage
Dakar OFF carves out its own spaces of engagement
Basia Lewandowska Cummings · 30 May 2014 · Independent publisher
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