THE STORY, IN BRIEF

In a March 2020 ART AFRICA interview with Sasha Gankin, Bonaventure Soh Bejeng Ndikung reflected on the twelfth Rencontres de Bamako. He connected photography with sound, memory and African diasporic movement, while describing efforts to print work locally and distribute exhibitions across the city. The account presented local production and broader access as practical curatorial choices, documenting the ambitions and difficulties of the biennale’s twenty-fifth-anniversary edition.

Summarised from ART AFRICA · Sasha Gankin. AFROSCOPE Daily has not independently reported this story.

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Sources & supporting coverage

ART AFRICA

Streams of Consciousness

Sasha Gankin · 6 Mar 2020 · Independent publisher

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