THE STORY, IN BRIEF
In a March 2020 ART AFRICA interview with Sasha Gankin, Bonaventure Soh Bejeng Ndikung reflected on the twelfth Rencontres de Bamako. He connected photography with sound, memory and African diasporic movement, while describing efforts to print work locally and distribute exhibitions across the city. The account presented local production and broader access as practical curatorial choices, documenting the ambitions and difficulties of the biennale’s twenty-fifth-anniversary edition.
Summarised from ART AFRICA · Sasha Gankin. AFROSCOPE Daily has not independently reported this story.
Read the original at ART AFRICASources & supporting coverage
Source publication dates are shown above. An edition date records when a story was selected here, not when the event happened.