THE STORY, IN BRIEF

Mozambican artist Euridice Zaituna Kala’s Daylighting: aber es ist Wasser, das spricht at Kunsthalle Münster examines how colonial archives shape remembrance and erase experiences. ART AFRICA describes installations, performances, paintings, objects and books engaging with representations of Black bodies and the power to record history. Curated by Merle Radtke, the Münster presentation adds new works to an exhibition previously shown in Rennes and Brussels.

Summarised from ART AFRICA · Stephan Rheeder. AFROSCOPE Daily has not independently reported this story.

Read the original at ART AFRICA

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