THE STORY, IN BRIEF
Alexandra M. Thomas’s Hyperallergic review examined the Brooklyn Museum’s Elizabeth Catlett retrospective through the artist’s commitments to Black and Mexican liberation. Prints, sculpture and public works connected her representations of women’s labour to her participation in Mexico’s Taller de Gráfica Popular. Thomas emphasised the transnational exchanges and community relationships that shaped Catlett’s practice, treating political organising as integral to her artistic achievement.
Summarised from Hyperallergic · Alexandra M. Thomas. AFROSCOPE Daily has not independently reported this story.
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Elizabeth Catlett’s Life as a Revolutionary Artist
Alexandra M. Thomas · 4 Nov 2024 · Independent publisher
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