THE STORY, IN BRIEF
In a March 2020 ArtThrob review, Lucienne Bestall examined Kevin Beasley’s exhibition at A4 Arts Foundation following his Cape Town residency. She described sculptures made with found clothing, photographs and an audio installation assembled from city recordings. Her reading connected these materials with bodily absence, African-American cultural references and the movement of donated garments into South Africa’s informal economy.
Summarised from ArtThrob · Lucienne Bestall. AFROSCOPE Daily has not independently reported this story.
Read the original at ArtThrobSources & supporting coverage
What Remains: Kevin Beasley’s ‘without a clear discernible image’
Lucienne Bestall · 1 Mar 2020 · Independent publisher
Source publication dates are shown above. An edition date records when a story was selected here, not when the event happened.