THE STORY, IN BRIEF
Writing in ArtReview, Mark Rappolt examines how Arpita Shah’s Nalini connects photographs and family keepsakes to histories spanning India, Kenya and Britain. Works drawing on Nairobi and Mombasa explore migration and maternal relationships, while obscured faces complicate the promise of recovering the past. His review appeared on 27 October, after the Firstsite exhibition in Colchester had closed on 4 October 2026.
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