THE STORY, IN BRIEF

In an ART AFRICA interview, Senegalese artist Caroline Gueye discusses WURUS, her Venice Biennale pavilion curated by Massamba Mbaye. The installation transforms Palazzo Navagero through architecture, sculpture and changing viewpoints, using the idea of gold to examine how perception shapes the value people assign to things.

Summarised from ART AFRICA · Suzette Bell-Roberts. AFROSCOPE Daily has not independently reported this story.

Read the original at ART AFRICA

Sources & supporting coverage

ART AFRICA

Caroline Gueye: The Shifting Value of Gold at the Senegal Pavilion - ART AFRICA Magazine

Suzette Bell-Roberts · 12 Oct 2026 · Independent publisher

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