THE STORY, IN BRIEF
Gervais Marsh’s December 2022 Hyperallergic review examined the Kingston Biennial’s presentation of 24 Jamaican artists living locally and abroad. Under the theme Pressure, installations, painting and film addressed migration, spirituality and historical memory. Marsh highlighted exchanges between works by Kaleb D’Aguilar, Ricardo Edwards and Simon Benjamin while questioning the exhibition’s confinement to one floor of the National Gallery. The review preserved both the artistic range and curatorial tensions of the edition.
Summarised from Hyperallergic · Gervais Marsh. AFROSCOPE Daily has not independently reported this story.
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Not Enough Pressure at the 2022 Kingston Biennial
Gervais Marsh · 30 Dec 2022 · Independent publisher
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